Blood & Thunder: The Idealized American West and Its Place Today: African Americans in the West

*Includes pictures *Includes excerpts of contemporary accounts *Includes a bibliography for further reading During the Civil War, over 180,000 black men fought in volunteer units as part of the United States Colored Troop (USCT), but it was only after the end of it that they were allowed to enlist in the Regular Army. They did so in four segregated regiments, and they colloquially became known as Buffalo Soldiers. The evolution of these black units followed the course of the organization of the peacetime Regular Army. With the end of the Civil War came the demobilization of the millions of men who had volunteered to fight on behalf of the Union, including the USCT, which disbanded in late 1865. The first draft of a bill setting the organization of the Army sent to the House on March 7, 1866 called for the establishment of eight infantry regiments to be staffed by veterans of the USCT, but the legislation lacked similar provisions for black cavalry units. When the bill got to the Senate for approval, Senator Benjamin Wade succeeded in having a provision added that authorized black cavalry units. The bill that passed on July 28, 1866 authorized a total of 10 regiments of cavalry and 45 regiments of infantry, and in 1867, the Regular Army raised two regiments of black cavalry, designated the 9th (Colored) Cavalry and the 10th (Colored) Cavalry. In addition, the Army raised four regiments of black infantry: the 38th (Colored) Infantry, the 39th (Colored) Infantry, the 40th (Colored) Infantry, and the 41st (Colored) Infantry. Ultimately, however, the number of black regiments did not stay at six for very long, because in 1869 there was a further reduction in the size of the Regular Army, with the number of infantry regiments reduced to 25. As part of the reduction, the number of black regiments was reduced from four to two, so the 38th and 41st were reorganized as the 25th (Colored) Infantry, and the 39th and 40th were reorganized as the 24th (Colored) Infantry. The enlistment in both the cavalry and infantry was for five years, with soldiers being paid $13 a month, plus room, board, and clothing. Of course, these units are now known for the nickname attached to them, but exactly where the nickname Buffalo Soldiers came from is a subject of some dispute. Dr. Walter Hill wrote, "According to Benjamin H. Grierson, Colonel, 10th Cavalry, 1867 to 1890, the 10th acquired the name 'Buffalo Soldiers' during the 1871 campaign against the Comanches in the Indian Territory. Grierson said that the Comanches respected the soldiers' tireless marching and dogged trail skills. They had earned the name of the rugged and revered buffalo. The 10th made the 'Buffalo' its regimental coat of arms years later, but the term 'Buffalo Soldiers, ' became synonymous with both the 9th and 10th units." The term appeared in public for the first time in 1873, in reference to the 10th Cavalry, in a letter from Mrs. Frances M.A. Roe to a popular magazine. She wrote, "The officers say that the Negroes make good soldiers and fight like fiends...the Indians call them 'buffalo soldiers' because their woolly heads are so much like the matted cushion that is between the horns of the buffalo. Others believe that the nickname originated from the Cheyanne. Another possible source came from the Apaches for the buffalo coats they wore in the winter." Buffalo Soldiers: The History and Legacy of the Black Soldiers Who Fought in the U.S. Army during the Indian Wars examines how the regiments were raised, and what their service entailed over the course of several decades. Along with pictures depicting important people, places, and events, you will learn about the Buffalo Soldiers like never before.

During the last half of the nineteenth century, several thousand African Americans moved to the American western frontier. Before the Civil War, some went west to California as slaves of gold miners and to Utah as slaves of Mormons. Later, free black men joined the U.S. Army and served in frontier outposts while others were hired on as cowboys on western ranches and cattle trails. Once Reconstruction ended in the South, discrimination and segregation caused more African Americans to seek better opportunities elsewhere where prejudice was less evident. The significant role played by African Americans in the settlement and development of the West has largely been ignored and neglected until now. African Americans on the Western Frontier remedies that historic neglect with fifteen essays that explore the contributions that African American men and women made to the western frontier-as miners, homesteaders, town builders, entrepreneurs, and as ordinary, civic-minded citizens. This rich and diverse story of the African American western experience during the frontier era is for scholars and students of western history as well as anyone interested in African American history, and is an important work for all Americans to read.

In the early days of Texas, the work of the cowhand was essential to the newly arrived settlers building a life on the frontier. The story of the Anglo cowboys who worked the ranches of Texas is well known, but much more remains to be discovered about the African American cowhands who worked side-by-side with the vaqueros and Anglo cowboys. The cowboy learned his craft from the vaqueros of New Spain and Texas when it was the northern territory of Mexico, as well as from the stock raisers of the south. Such a life was hardly glamorous. Poorly fed, underpaid, overworked, deprived of sleep, and prone to boredom and loneliness, cowboys choked in the dust, were cold at night, and suffered broken bones in falls and spills from horses spooked by snakes or tripped by prairie dog holes. Work centered on the fall and spring roundups, when scattered cattle were collected and driven to a place for branding, sorting for market, castrating, and in later years, dipping in vats to prevent tick fever. African American cowboys, however, also had to survive discrimination, bigotry, and prejudice. The lives of these cowhands tell a story of skill and grit, as they did what was necessary to gain the trust and respect of those who controlled their destiny. That meant being the best--at roping, bronc busting, taming mustangs, calling the brands, controlling the remuda, or topping off horses. From scattered courthouse records, writings, and interviews with a few of the African American cowhands who were part of the history of Texas, Sara Massey and a host of writers have retrieved the stories of a more diverse cattle industry than has been previously recorded. Twenty-five writers here recount tales of African Americans such as Peter Martin, who hauled freight and assisted insurgents in a rebellion against the Mexican government while building a herd of cattle that allowed him to own (through a proxy) rental houses in town. Bose Ikard, a friend of Charles Goodnight, went on Goodnight's first cattle drive opening the Goodnight-Loving Trail. Johanna July, a Black Seminole woman, had her own method of taming horses in the Rio Grande for the soldiers at Fort Duncan. These cowhands, along with others across the state, had an important role that too long has been omitted from most history books. By telling their stories, Black Cowboys of Texas provides an important contribution to Texas, Western, and African American history.

This entirely new edition of a famous classic has glorious new photographs--many never before seen--as well as revised and expanded text that deepens our understanding of the vital role played by African American men and women on America's early frontiers. This revised volume includes an exciting new chapter on the Civil War and the experiences of African Americans on the western frontier. Among its fascinating accounts are those explaining how thousands of enslaved people in Arkansas, Missouri and Texas successfully escaped into the neighboring Indian Territory in Oklahoma. These runaways inspired the idea eventually adopted as the Emancipation Proclamation, which freed slaves within the states that were in rebellion. Inspired by a conversation that William Loren Katz had with Langston Hughes, The Black West presents long-neglected stories of daring pioneers like Nat Love, a.k.a. Deadwood Dick; Mary Fields, a.k.a. Stagecoach Mary; Cranford Goldsby, a.k.a. Cherokee Bill--and a host of other intrepid men and women who marched into the wilderness alongside Chief Osceola, Billy the Kid, and Geronimo. 

A landmark history of African Americans in the West, In Search of the Racial Frontier rescues the collective American consciousness from thinking solely of European pioneers when considering the exploration, settling, and conquest of the territory west of the Mississippi. From its surprising discussions of groups of African American wholly absorbed into Native American culture to illustrating how the largely forgotten role of blacks in the West helped contribute to everything from the Brown vs. Board of Education desegregation ruling to the rise of the Black Panther Party, Quintard Taylor fills a major void in American history and reminds us that the African American experience is unlimited by region or social status.

In June 1867, the San Francisco Elevator-one of the nation\'s premier black weekly newspapers during Reconstruction-began publishing articles by a Californian calling herself \""Ann J. Trask\"" and later \""Semper Fidelis.\"" Her name was Jennie Carter (1830-1881), and the Elevator would print her essays, columns, and poems for seven years. Carter probably spent her early life in New Orleans, New York, and Wisconsin, but by the time she wrote her \""Always Faithful\"" columns for the newspaper, she was in Nevada County, California. Her work considers California and national politics, race and racism, women\'s rights and suffrage, temperance, morality, education, and a host of other issues, all from the point of view of an unabashedly strong-minded African American woman. Recovering Carter\'s work from obscurity, this volume re-presents one of the most exciting bodies of extant work by an African American journalist before the twentieth century. Editor Eric Gardner provides an introduction that documents as much of Carter\'s life in California as can be known and places her work in historical and lite-rary context. Eric Gardner is chair and professor of English at Saginaw Valley State University. He is the editor of Major Voices: The Drama of Slavery, and his work has appeared in African American Review, the African American National Biography, and Legacy.

More than five thousand Negro cowboys joined the round-ups and served on the ranch crews in the cattleman era of the West. Lured by the open range, the chance for regular wages, and the opportunity to start new lives, they made vital contributions to the transformation of the West. They, their predecessors, and their successors rode on the long cattle drives, joined the cavalry, set up small businesses, fought on both sides of the law. Some of them became famous: Jim Beckwourth, the mountain man; Bill Pickett, king of the rodeo; Cherokee Bill, the most dangerous man in Indian Territory; and Nat Love, who styled himself "Deadwood Dick." They could hold their own with any creature, man or beast, that got in the way of a cattle drive. They worked hard, thought fast, and met or set the highest standards for cowboys and range riders.